Test Bank for Film History: An Introduction, 4th Edition, Kristin Thompson, David Bordwell
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Test Bank for Film History: An Introduction, 4th Edition, Kristin Thompson, David Bordwell
Test Bank for Film History: An Introduction, 4th Edition, Kristin Thompson, David Bordwell
Table of Contents
CHAPTER 1: The Invention and Early Years of the Cinema, 1880s – 1904
CHAPTER 2: The International Expansion of the Cinema, 1905 – 1912
CHAPTER 3: National Cinemas, Hollywood Classicism and World War I, 1913 – 1919
CHAPTER 4: France in the 1920s
CHAPTER 5: Germany in the 1920s
CHAPTER 6: Soviet Cinema in the 1920s
CHAPTER 7: The Late Silent Era in Hollywood, 1920 – 1928
CHAPTER 8: International Trends of the 1920s
CHAPTER 9: The Introduction of Sound
CHAPTER 10: The Hollywood Studio System, 1930 – 1945
CHAPTER 11: Other Studio Systems
CHAPTER 12: Cinema and the State: The USSR, Germany, and Italy, 1930 – 1945
CHAPTER 13: France: Poetic Realism, the Popular Front and the Occupation, 1930 – 1945
CHAPTER 14: Leftist, Documentary, and Experimental Cinema, 1930 – 1945
CHAPTER 15: American Cinema in the Postwar Era, 1945 – 1960
CHAPTER 16: Postwar European Cinema: Neorealism and its Context, 1945 – 1959
CHAPTER 17: Postwar European Cinema: France, Scandinavia, and Britain, 1945 – 1959
CHAPTER 18: Postwar Cinema Beyond the West, 1945 – 1959
CHAPTER 19: Art Cinema and the Idea of Authorship
CHAPTER 20: New Waves and Young Cinema, 1958 – 1967
CHAPTER 21: Documentary and Experimental Cinema in the Postwar Era, 1945 – Mid 1960s
CHAPTER 22: Hollywood’s Fall and Rise, 1960 – 1980
CHAPTER 23: Politically Critical Cinema of the 1960s and 1970s
CHAPTER 24: Documentary and Experimental Film Since the Late 1960s
CHAPTER 25: New Cinemas and New Developments: Europe and the USSR Since the 1970s
CHAPTER 26: A Developing World: Continental and Subcontinental Cinemas since 1970
CHAPTER 27: Cinema Rising: Pacific Asia and Oceania since 1970
CHAPTER 28: American Cinema and the Entertainment Economy: The 1980s and After
CHAPTER 29: Toward a Global Film Culture
CHAPTER 30: Digital Technology and the Cinema
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